Humanities 1010 with Prof. Candyce Sweet

Through the use of images, diagrams, and detailed descriptions, this book enables readers to appreciate how the construction, design, and function of famous structures inform our understanding of societies of the past. Buildings and Landmarks of Medieval Europe: The Middle Ages Revealed makes use of significant buildings as representative structures to provide insight into specific cultures, historical periods, or topics of the Middle Ages.

The recent renaissance of interest in the history of dress and its cultural importance is celebrated in this collection of interdisciplinary essays. The sixteen contributors present ongoing research into the study of the clothed body in ancient Egypt and the Aegean, Classical Greece, Rome and Late Antiquity. Through literary and artistic evidence and film, they discuss how dress articulates and defines an individual within his or her given society, at the same time highlighting common themes in scholarship, methodological differences between disciplines and periods, as well as contrasting definitions of what constitutes the clothed body. Essays discussing Aegean Bronze Age fashions, costume design in filmed biblical epics, clothing in Aristophanic comedy, Greek and Roman female undergarments, the symbolism of the Roman toga, and the spectacle of images of Byzantine dress, are just some of the diverse subjects covered in this study.

Byron and Hitler were equally entranced by Rome's most famous monument, the Colosseum. Mid-Victorians admired the hundreds of varieties of flowers in its crannies and occasionally shuddered at its reputation for contagion, danger, and sexual temptation. Today it is the highlight of a tour of Italy for more than three million visitors a year, a concert arena for the likes of Paul McCartney, and a national symbol of opposition to the death penalty. Its ancient history is chock full of romantic but erroneous myths. There is no evidence that any gladiator ever said “Hail Caesar, those about to die…” and we know of not one single Christian martyr who met his finish here.Yet the reality is much stranger than the legend as the authors, two prominent classical historians, explain in this absorbing account.

This book examines the dress and personal appearance of members of the middle and lower classes in the eastern Mediterranean region during the 4th to 8th centuries. Written, art historical and archaeological evidence is assessed with a view to understanding the way that cloth and clothing was made, embellished, cared for and recycled during this period.

In this landmark survey, distinguished art historian Robert Ousterhout introduces readers to the rich and diverse architectural traditions of the medieval Eastern Mediterranean. The focus of the book is the Byzantine (or East Roman) Empire (324-1453 CE), with its capital in Constantinople, although the framework expands chronologically to include the foundations of Christian architecture in Late Antiquity and the legacy of Byzantine culture after the fall of Constantinople in 1453. Geographically broad as well, this study includes architectural developments in areas of Italy, the Caucasus, the Near East, the Balkans, and Russia, as well as related developments in early Islamic architecture.

For the ancient Maya, food was both sustenance and a tool for building a complex society. This collection, the first to focus exclusively on the social uses of food in Classic Maya culture, deploys a variety of theoretical approaches to examine the meaning of food beyond diet—ritual offerings and restrictions, medicinal preparations, and the role of nostalgia around food, among other topics. Thoughtful and revealing, Her Cup for Sweet Cacao unlocks a more comprehensive understanding of how food was instrumental to the development of ancient Maya culture.

Housed in the Hermitage Museum along with other institutes, libraries, and museums in Russia and the republics of the former Soviet Union are some of the most magnificent treasures of Persian Art. For the most part, many of these works have been lost, but have been catalogued and published here for the first time with an unsurpassed selection of colour plates. The authors have broadly documented the major developments of Persian Art from the first signs of civilization on the plains of Iran around the 10th century BCE through the early 20th century.

This is a comprehensive study of the surviving monuments of the Qarakhanids – an important yet little-known medieval dynasty that ruled much of Central Asia between the late 10th and early 13th centuries. Based on extensive fieldwork and many hard-to-find Russian sources, the book places the surviving monuments into the wider cultural context of the region. Many photographs and new ground-plans are included, as well as detailed studies of individual monuments and the wider architectural aesthetic.

Ottoman Dress and Design in the West is a richly illustrated exploration of the relationship between West and Near East through the visual culture of dress. Charlotte Jirousek examines the history of dress and fashion in the broader context of western relationships with the Mediterranean world from the dawn of Islam through the end of the twentieth century. The significance of dress is made apparent by the author's careful attention to its political, economic, and cultural context. The reader comes to understand that dress reflects not simply the self and one's relation to community but also that community's relation to a wider world through trade, colonization, religion, and technology.

The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From the birth of comedy in Greece to its end in Rome, from the Hellenistic diffusion of performances after the death of Menander to its artistic, scholarly, and literary receptions in the later Roman Empire, no topic is neglected. 41 essays spread across Greek Comedy, Roman Comedy, and the transmission and reception of Ancient comedy by an international team of experts offer cutting-edge guides through the immense terrain of the field, while an expert introduction surveys the major trends and shifts in scholarly study of comedy from the 1960s to today.

The oral factor in Chinese literature, although critically important, has been largely neglected in the scholarship of the last generation. In this study, one of the leading specialists in classical Chinese literature introduces readers to a repertoire of seventy-seven songs and ballads of early imperial China. Each song-text is newly translated and fully annotated and explicated.

An authoritative account by preeminent Egyptologist Miroslav Verner covering over 70 of Egypt's and Sudan's pyramids, their historical and political significance, updated in a magnificent new edition. Lucidly written, with 300 illustrations, and filled with gripping insights, this comprehensive study illuminates an era that is both millennia away and vividly immediate.

This volume presents a collection of the Faroese ballads about the Völsung hero Sjúrður, the pre-eminent dragon-slaying hero of the Germanic Middle Ages, in English translation accompanied by the Faroese original. The ballads show that far from being culturally isolated, the Faroe Islands were an integral part of the Germanic storytelling tradition in the Middle Ages and later. The in-depth introduction explores the Faroese storytelling tradition as preserved in the ballads, which are still danced and performed today, and highlights the vibrancy of the tradition in contemporary culture. The publication and research history of the Faroese ballads is outlined, and summaries of each ballad are provided.