Humanities 1010 with Profs. Candyce Sweet & Rafalowski

Presenting numerous interconnected insights into life in Greater Syria in the twelfth century, this book covers a wide range of themes relating to Crusader-Muslim relations. Some chapters deal with various literary sources, including little-known Crusader chronicles, a jihad treatise, a lost Muslim history of the Franks, biographies, letters and poems. Other chapters look at material culture, from coins to urban development, internal relations between Sunni and Shi'ite Muslims and between Crusader and Oriental Christians, and the role of the Turkmen. New insights into the career of Saladin are revealed, for example through the work of a little-known propagandist at his court, and Saladin's use of gift-giving for political purposes, as well as neglected aspects of the rule of his family dynasty, the Ayyubids, which succeeded him. Special attention is paid to the Christians residing in the Middle East, from Italians to Melkites and Armenians.

`Undertake this journey for the remission of your sins - assured of the imperishable glory of the kingdom of heaven.'When Pope Urban II made his famous speech in 1095 launching the First Crusade, he set in motion a movement that would involve every country in Europe, touch almost every aspect of life, the economy, and society, and have an enduring influence on the history of the Islamic world and the Baltic region. It is a story of popes and peasants, holy wars and barbarian invasions, sieges and slaughters, warriors whose names - Saladin, Richard the Lionheart - have entered the realm of legend. This richly illustrated book presents a readable, authoritative, and comprehensive history of the Crusades, from the preaching of the First Crusade in 1095 to the legacy of crusading ideals and imagery today. Written by a team of leading Crusade scholars, it covers crusading in many different theatres of war.

The Archaeology of the Medieval English Monarchy looks at the period between the reign of William the Conqueror and that of Henry VIII, bringing together physical evidence for the kings and their courts. John Steane looks at the symbols of power and regalia, including crowns, seals, and thrones. He considers Royal patronage, architecture, and ideas on burials and tombs to unravel the details of their daily lives, supported with many illustrations.

Peacemaking in the Middle Ages explores the making of peace in the late twelfth and early thirteenth centuries based on the experiences of the kings of England and the kings of Denmark. From dealing with owing allegiance to powerful neighbors to conquering the 'barbarians,' this book offers a vision of how relationships between rulers were regulated and maintained and how rulers negotiated, resolved, avoided, and enforced matters in dispute in a period before nation-states and international law.

In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states-the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly.

Gothic art finds its roots in the powerful architecture of the cathedrals of northern France. It is a medieval art movement that evolved throughout Europe over more than 200 years. Leaving curved Roman forms behind, the architects started using flying buttresses and pointed arches to open up cathedrals to daylight. A period of great economic and social change, the Gothic era also saw the development of a new iconography celebrating the Holy Mary – in drastic contrast to the fearful themes of dark Roman times.

Notre-Dame of Amiens is one of the great Gothic cathedrals. Its construction began in 1220, and artistic production in the Gothic mode lasted well into the sixteenth century. In this magisterial chronicle, Stephen Murray invites readers to see the cathedral as more than just a thing of the past: it is a living document of medieval Christian society that endures in our own time. Murray tells the cathedral's story from the overlapping perspectives of the social groups connected to it, exploring the ways that the layfolk who visit the cathedral occasionally, the clergy who use it daily, and the artisans who created it have interacted with the building over the centuries. He considers the cycles of human activity around the cathedral and shows how groups of makers and users have been inextricably intertwined in collaboration and, occasionally, conflict. The book travels around and through the spaces of the cathedral, allowing us to re-create similar passages by our medieval predecessors.

The book situates the Christian Church in the West as a framing ideology of the Middle Ages, and considers ideology from four angles: as a means of defining power; as a way of managing power; ideology as an influence on daily living and societies; and the ways in which ideology associated with the Middle Ages continues to influence understandings of past and present. A focus on southern European case studies has been chosen as a means of enriching and complicating study of the Middle Ages.